This visual album from Beyoncé reimagines the lessons of "The Lion King" (2019) for today’s young kings and queens in search of their own crowns.

New York City, October 10, 1965. A group of wooden giant figures from Pamplona, representing Basque culture and traditions, parade down the street; but the local authorities have not allowed the appearance of all of them: due to the racial prejudices that persist in many sectors of society, the participation of two black giants has been banned.

Documentary about african sex traditions

Black - once Blue - is now a trans man who works as a security guard in an apartment complex in Oakland. One night, Black notices an ex- girlfriend partying with some other women in one of the buildings. As none of the other security guards want to watch 'the lezzie party', Black volunteers to, thinking he may resolve some inner conflicts from the past. However, things take a turn for the worse.

Marlon Riggs directed this independent documentary about black experience. Featuring Angela Davis, bell hooks, Michele Wallace, Cornel West, and others.

To the sound of a heartbeat and made entirely without the use of a camera, this film projects abstract forms and illuminations on a night-black background and suggests as Tambellini says, “seed black, seed black, sperm black, sperm black.”

1972 Gitai super8 short film

The Black Parade Is Dead! is MCR's final performance as their onstage characters, the Black Parade. The Black Parade centres around a dying character called The Patient, who reflects on events in his life while he is confronted by Death in the form of his fondest memory, that of his father bringing him to see a marching band. This is based on frontman Gerard Way's belief that death comes to a person in the form of their fondest memory. The band is seen in their Black Parade uniforms throughout the performance, and during the first song "The End", Gerard Way is seen taking the role of The Patient, before tearing off his hospital gown to reveal his uniform.

Ainhoa is born by chance in La Paz (Bolivia); but she grows up in Cuba and, at the age of 21, in 1988, she travels to the Basque Country (Spain) to discover the land of Manex, her father. In the midst of political struggle, she meets Josune, a committed journalist, and her group of friends.

Few comedians can stir up controversy like the legendary Paul Mooney -- writer for Richard Pryor, creator of In Living Color's Homey the Clown and featured guest on Chappelle's Show. With his characteristic brutal honesty, Mooney passionately and hysterically charges into the electrified currents of racial tension. In this magnificent standup performance at Hollywood's Laugh Factory, Mooney earns a standing ovation with his relentless no-holds-barred observations on black history, stereotypes and prejudices, living in White America, celebrity divas and much, much more!

Not for the faint of heart, this compilation of chaotic live performances, raw and uncensored videos, and outlandish interviews from metal's darkest and most extreme bands is sure to please the twisted hearts of black metal fans. Included are appearances and live performances from bands such as Cradle of Filth, Celtic Frost, Emperor, Satyricon, Morbid Angel, Jasmin Asylum, Throes of Dawn and Borknagar.

Oklahoma is Black is a portrait of Black life on the Northeast side of Oklahoma City.

Six blind people around the world are given a camera and asked to take photos of whatever they like.

Concerning three groups of children from disparate upbringings, A Black Hole is a Black Hole in the Ground intimately depicts the strange, ephemeral realities that arise on evenings of play, when dimensions of space and time, not fully cemented by adulthood, begin to dissolve. Parking lots, hen houses, and brownstone apartments become the dwellings of many strange creatures; coyotes are rendered forest spirits, neighbors as martians, and night crawlers as flesh-eating meteorite worms. Employing sci-fi, documentary and ethnography techniques, a state of mind particular to early youth is sublimated - weight is lent to shadows as vast as space, ripe with discoveries both minuscule and immense.

Director Craig Highberger follows his acclaimed documentary Superstar in a Housedress with this exceptional portrait of Jack Mitchell, a pivotal photographer of the arts for more than five decades. Through hundreds of his beautiful images, recollections from Jack and from Bob Pavlik, his partner of nearly 50 years, as well as interviews with luminaries including playwright Edward Albee, Broadway star Patti LuPone, critic Clive Barnes, dance greats Merce Cunningham, Judith Jamison, and Kevin McKenzie, and author/composer Ned Rorem, among others, Highberger reveals his fascinating life and the art world he documented for Dance Magazine, The New York Times, After Dark and countless other publications.

Documentary on apartheid.

The 400-year-old story of the black church in America, the changing nature of worship spaces, and the men and women who shepherded them from the pulpit, the choir loft, and church pews.

The 400-year-old story of the black church in America, the changing nature of worship spaces, and the men and women who shepherded them from the pulpit, the choir loft, and church pews.